The final sound depended on the soundbanks (collections of pre-recorded samples) that the user’s synthesiser or sound card used for playback, which were often low-quality and rarely sounded the same as those used by the composer. However, the nature of MIDI somewhat limited the potential of the format, since composers had no control over what end users actually heard. The format was favoured due to its relatively low computational overhead, which suited the limited hardware of the day, as well as the small filesizes that made it ideal for transferring over the internet. Windows-only Solution #2: Sound Card-specific Utilitiesīack in the 90’s, MIDI was at the peak of its popularity.
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